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Rhiannon Giddens isn't afraid to carry the weight of history in her music. The North Carolina singer-songwriter and banjoist is a founding member of the Grammy-winning group the Carolina Chocolate Drops which won both critical acclaim and loyal fans for their revival of the African-American string band tradition.

Ten years ago today — on April 22, 2008 — NPR Music published our first Tiny Desk concert. Laura Gibson was the inspiration, and the event that sparked the idea of concerts at my desk came from NPR Music's Stephen Thompson. He and I were at the SXSW Music Festival, at one of those lousy shows where the audience chatter was louder than the performer.

On-air challenge: Every answer today is the name of a major-league baseball team. You tell me what they are from their anagrams.

Example: SCARY – C --> (Tampa Bay) Rays

1. SCUBA – A

2. STEAM – A

3. DRESS – S

4. DESPAIR – I

5. AGAINST – A

6. ADVERBS – D

7. COSTARS – C

8. RESTING – N

9. SEALING – I

10. STOCKIER – T

11. MINERALS – E

12. WIRETAPS – W

13. EARRINGS – I

14. THEISTICAL – I

15. NONSPATIAL – P

John B. McLemore is probably best known as the charismatic, obsessive, antique-clock-repairing, hedge-maze-building, dog-loving, murder investigating, tattooed focus of S-Town, the hit podcast from 2017. But he was also was a composer, who remixed the music of an artist he never met.

When The Exorcist, based on the novel by William Blatty, came to theaters in 1973, it captured the public imagination. Or more accurately, the public's nightmares.

Exorcisms aren't just the stuff of horror movies — hundreds of thousands of Italian Catholics reportedly request them each year. But when William Friedkin directed the movie, he'd never actually seen an exorcism. It would be four more decades before he actually witnessed one.

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LULU GARCIA-NAVARRO, HOST:

Last year, when neo-Nazis and members of the so called alt-right demonstrated in Charlottesville, Va., many Americans evinced shock that such a thing could happen: A demonstration of the white power movement, in 2017. But it's only the latest in a history of social activism that goes back decades — and, as Kathleen Belew argues in her new book, Bring the War Home, we ignore that history at our peril.

Zoologist Lucy Cooke says humans have got it all wrong about sloths. "People think that because the animal is slow that it's somehow useless and redundant," she says. But in fact, "they are incredibly successful creatures."

Cooke is the founder of the Sloth Appreciation Society and the author of a new book called The Truth About Animals: Stoned Sloths, Lovelorn Hippos, and Other Tales from the Wild Side of Wildlife. The book aims to set the record straight on some long-held misconceptions about the animal world.

Juliana Hatfield was a darling of the '90s indie music scene. She played with Blake Babies and The Lemonheads and had a hit with the edgy pop song, "My Sister." Hatfield released a string of alternative albums since those days, full of distorted guitars and strong vocals.

I love that the entire plot of John Scalzi's newest novel, Head On, hinges on a cat.

I mean, it's such a stupid idea. It's a gimmick that's been played straight, played crooked, played backwards and forwards in so many stories that there's just no trope-life left in it. Cat as McGuffin. Cat as material witness. Cat as embodiment of damsels in distress. It's the literary equivalent of Scooby Doo and the gang pulling the rubber mask off old Mr. McGillicutty the groundskeeper because he was the pirate ghost all along.

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