Bob Mondello

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Every year between Thanksgiving and Christmas, Hollywood offers up lots of brightly wrapped presents - kid flicks, awards contenders, blockbuster wannabes. And around this time every year, we check in with movie critic Bob Mondello for his holiday movie preview.

Pixar's animators seem willing to go anywhere in pursuit of fresh enchantment. They plunged to the ocean's depths in Finding Nemo, took to the sky with helium balloons in Up and entered a child's mind in Inside Out. Now, in the movie Coco, they — and we — are visiting the afterlife.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ELISE HU, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

You know what today is? It's Thorsday (ph). Marvel's hammer-throwing Norse god is back in movie theaters. NPR critic Bob Mondello says whole worlds are at stake in "Thor: Ragnarok."

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

You had to wonder how director Sean Baker would follow up his shot-on-an-iPhone, transgender-prostitute comedy Tangerine if he ever got a hold of enough cash to pay for a star and a Steadicam. His extraordinary, almost-homeless-family dramedy, The Florida Project, provides the exhilarating answer.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

It would be hard to pay homage to Vincent Van Gogh with more fervor or devotion than filmmakers Dorota Kobiela and Hugh Welchman bring to Loving Vincent, in which they've not only created thousands of new oil paintings in his style, but also made him the subject of a murder-mystery.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

There's a film hitting theaters this weekend you may not have heard anything about. It's called Tulip Fever, a period romantic thriller starring Alicia Vikander, Christoph Waltz, Judi Dench and Dane DeHaan, with a screenplay by Tom Stoppard.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

When Steve Coogan and Rob Brydon's dueling Michael Caine impressions went viral during the first season of their food-tasting TV series, The Trip, it was more or less inevitable that the show's 6.5 hours of eating scallops and celeb impersonations would be edited down into movie form.

Taylor Sheridan's tense, terse police procedural/Western, Wind River, begins with an icy, moonlit, Wyoming landscape. There's no one for miles, except a gasping, Native American teenage girl running in the snow, terrified and barefoot.

She falls. Screams. Gets up. Runs some more.

A close-up of ice melting in brilliant sunshine is the first thing you see in An Inconvenient Sequel: Truth to Power. It's gorgeous — snow crystals glistening, moisture dripping from them into a pool of water so pure and clear it makes you thirsty.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

The dark, feminist tale, Lady Macbeth doesn't deal with royalty or take place in medieval Scotland. It has no witches, nor much rinsing of blood from hands. It's not even based on Shakespeare. But its leading lady, a teen bride when we meet her, still lives up to that title.

Just a few days after director David Lowery finished shooting Disney's live-action Pete's Dragon, he started a project that could hardly have been more different — the micro-budget, quietly revelatory, poetic, meditative, and aptly titled A Ghost Story.

Lowery shot in secret and very quickly. His setting, an entirely unremarkable suburban rambler that was slated for demolition, which allowed him to destroy it when necessary, and his chief storytelling device a childlike representation of a ghost — a figure draped in a white bedsheet.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

Maudie is the largely true story of a Canadian painter whose work was so exuberant, you'd never guess at the difficult life she lived. In her 30s when we meet her, Maud is tiny, bent of frame, fingers crippled by juvenile rheumatoid arthritis.

As played by a plucky Sally Hawkins, she has been treated all her life as if she were a child. Which is precisely what her brother does, when he tells her she's going to have to stay with their Aunt Ida, now that he's sold their house out from under her.

"I'd look after it," she tells him.

Fifty years ago, on June 12, 1967, the Supreme Court's decision in Loving v. Virginia legalized interracial marriage. Just two weeks earlier, shooting had been completed on a movie about that very subject — Stanley Kramer's soon-to-be-classic, Oscar-winning, box-office smash Guess Who's Coming To Dinner, starring Spencer Tracy, Katharine Houghton and Sidney Poitier.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

It's a beach in Florida this time — I know you care because we're all here for the plot, right? — and head lifeguard Mitch Buchannon is now The Rock not The Hoff.

"Our team is the elite of the elite," Dwayne Johnson's Mitch tells his Baywatch recruits, "the heart and soul of this very beach."

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Pages