Lars Gotrich

Around the turn of the millennium, hardcore had to reckon with its weirdnessand the weirdness of — becoming a viable and commercial force. At The Drive-In played the Late Show with David Letterman, Thursday's "Understanding In A Car Crash" was in regular rotation on MTV2 and The Blood Brothers' absolutely manic ... Burn, Piano Island, Burn was produced, by nü-metal diviner Ross Robinson, for a major label.

It's not Christmas until I hear Mariah Carey's "All I Want For Christmas Is You." Originally released in 1994, it's a gingerbread house of a pop song, built on a gospel music foundation and a throwback to Phil Spector's wall of sound, as a sleigh-bell rhythm and countermelodies rush across the frosted rooftop and Carey lands a thrilling G5 above middle C.

Terry Riley's In C might be considered one of the seminal pieces of minimalism, but at its heart it's an open invitation. The score resides on a single sheet of paper with 53 phrases to be repeated by an indefinite number of musicians.

Sonic Boomerang: Is that, like, Sonic the Hedgehog's new weapon? A new shake from that burger drive-in? Psychedelic punk-rock whipped into the abyss and returned with aerodynamic force?

Haley Fohr meditates on existence with telescopic ears and eyes. In the decade since she began Circuit Des Yeux, Fohr has mapped herself onto a world alone, seeking connection through music that rumbles in tandem with her oaken baritone.

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