Laura Sydell

Laura Sydell fell in love with the intimate storytelling qualities of radio, which combined her passion for theatre and writing with her addiction to news. Over her career she has covered politics, arts, media, religion, and entrepreneurship. Currently Sydell is the Digital Culture Correspondent for NPR's All Things Considered, Morning Edition, Weekend Edition, and

Sydell's work focuses on the ways in which technology is transforming our culture and how we live. For example, she reported on robotic orchestras and independent musicians who find the Internet is a better friend than a record label as well as ways technology is changing human relationships.

Sydell has traveled through India and China to look at the impact of technology on developing nations. In China, she reported how American television programs like Lost broke past China's censors and found a devoted following among the emerging Chinese middle class. She found in India that cell phones are the computer of the masses.

Sydell teamed up with Alex Bloomberg of NPR's Planet Money team and reported on the impact of patent trolls on business and innovations particular to the tech world. The results were a series of pieces that appeared on This American Life and All Things Considered. The hour long program on This American Life "When Patents Attack! - Part 1," was honored with a Gerald Loeb Award and accolades from Investigative Reporters and Editors. A transcript of the entire show was included in The Best Business Writing of 2011 published by Columbia University Press.

Before joining NPR in 2003, Sydell served as a senior technology reporter for American Public Media's Marketplace, where her reporting focused on the human impact of new technologies and the personalities behind the Silicon Valley boom and bust.

Sydell is a proud native of New Jersey and prior to making a pilgrimage to California and taking up yoga she worked as a reporter for NPR Member Station WNYC in New York. Her reporting on race relations, city politics, and arts was honored with numerous awards from organizations such as The Newswomen's Club of New York, The New York Press Club, and The Society of Professional Journalists.

American Women in Radio and Television, The National Federation of Community Broadcasters, and Women in Communications have all honored Sydell for her long-form radio documentary work focused on individuals whose life experiences turned them into activists.

After finishing a one-year fellowship with the National Arts Journalism Program at Columbia University, Sydell came to San Francisco as a teaching fellow at the Graduate School of Journalism at University of California, Berkeley.

Sydell graduated Magna Cum Laude with a bachelor's degree from William Smith College in Geneva, New York, and earned a J.D. from Yeshiva University's Cardozo School of Law.

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"A lie can travel half way around the world while the truth is putting on its shoes."

Mark Twain said that. Actually, it was Winston Churchill. Oh, wait! He didn't say it either. But you can find fairly credible looking sources that attribute those words to one of those two famous men.

Whoever said it, a study on how news travels on Twitter confirms the basic truth of the quote. But on Twitter, lies spread a lot faster.

Technology is threatening a lot of jobs — travel agents, truck drivers, factory workers. But here's one you might not expect: actors.

Technology in the entertainment business is on course to create digital actors who compete with live ones.

Artists and criminals are often the first to push the boundaries of technology. Barrett Brown is a criminal who has actually helped inspire art — the TV show Mr. Robot. Its protagonist is a hacktivist — a hacker who breaks into computer systems to promote a cause.

Brown was connected to Anonymous, a group that hacked a private security firm to reveal secrets. He is now out and living in a halfway house in Dallas.

There has been a lot of scary news about big data — about corporations or government invading your privacy. But imagine if we could use our data to make our lives better.

That is at the center of artist Laurie Frick's work — she wants to help create a future in which self-delusion is impossible. In fact, she thinks this shift is inevitable once people wake up to the transformational power of big data.

We spend a lot of time talking to Alexa and Siri. Imagine if such artificial personalities were put inside a cute, adorable robot. That's what Alexander Reben has done. The artist created what he saw as the perfect interview machine to see how much he could get people to reveal to the robot.

In 1984, two men were thinking a lot about the Internet. One of them invented it. The other is an artist who would see its impact on society with uncanny prescience.

First is the man often called "the father of the Internet," Vint Cerf. Between the early 1970s and early '80s, he led a team of scientists supported by research from the Defense Department.

Initially, Cerf was trying to create an Internet through which scientists and academics from all over the world could share data and research.

Like a lot of science fiction fans, I read William Gibson's visionary novel Neuromancer not long after it came out in 1984. It painted a dystopian world where people spent most of their time on computers communicating across networks in "cyberspace."

When I read it, I thought it was an engaging fantasy. Now, over 30 years later, the prescience of Gibson's novel is unquestionable. In the intervening years, I've wondered how he and other artists were able to imagine the future when the technologies they wrote about had barely been invented.

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