Talia Schlanger

Talia Schlanger is a host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

Phoebe Bridgers has one of those voices that can make a rowdy arena crowd go silent and then leap to its feet. I saw it happen when she joined Conor Oberst on stage this past summer at the WXPN XPoNential Music Festival. I can't imagine many people in the crowd knew who she was before they heard Conor invite her on stage for a duet. By the time she was done — standing ovation.

Some say the glass of 2018 is on-quarter empty; others say the glass is three-quarters full. We say, "Wow, we've had some incredible artists perform in 2018 on World Cafe and it's only April!" So cheers to them!

Every day I talk to artists about the winding and sometimes tricky roads they travel to make a career in music. But I've never heard a "how-I-got-here" story quite as remarkable as the one that belongs to today's guest.

It's hard not to smile watching Brett Dennen do his thing. He bounces around the stage, all six-foot-five of him, red hair flopping about, playing songs as if he's entertaining outdoors in the sunshine of summer camp like he used to do in his very formative past career as a camp counselor.

Many artists wait for the day they can stop working as servers and make a full-time living as musicians. Today's guest, Nathaniel Rateliff, is a platinum-selling artist whose generosity onstage makes the music business seem like the service industry. Nathaniel pushes his vocal cords to their very brink, rips open his rib cage to share his heart and leads his seven bandmates with absolute passion – all in service of making sure his audience has a good time and feels something.

When an artist has a hit as huge as "Jessie's Girl," from 1981's Working Class Dog, they can become immortalized in pop culture memory and maybe even frozen in time. They can get flattened, too. But we all know that there's much more to a career artist than the big hit, and there's more to a person than what they do for a living.

My first experience attending SXSW was like running around the most generously stocked international grocery store with a bottomless cart and an unlimited budget. But for my musical ears.

Each of the artists in today's trio would make a wonderful guest on World Cafe by herself. Sara Watkins, Sarah Jarosz and Aoife O'Donovan each have stunning solo albums. Many recognize Sara Watkins name from Nickel Creek, the band she started with her brother and Chris Thile.

It started with a lofty promise: "What's up lovely people of SXSW. We are Superorganism and we're gonna blow your m****f****** minds!"

What followed lead singer Orono Noguchi's confident introduction was a one-way ticket to the weird and wonderful wavelength of this crew of kooks from all over the place — including South Korea, Japan, New Zealand, Australia and the U.K., where they now live and create in a shared house in London.

Siddhartha Khosla has tiptoed into the tear ducts of millions of Americans. He's done it with such delicate genius that even if you've invited the cast of This Is Us into your living room weekly since the show began, you might not have noticed Siddhartha enter along with them. But to watch the show is to feel his presence and to experience both his heart and his own sense of family.

If you've ever wished you could be a fly on the wall at a recording session with Jimi Hendrix, it doesn't get much closer than this. From a technical standpoint, Eddie Kramer plugged in the wires, pulled the faders and placed the mics in studio with Hendrix. From a spiritual standpoint, he's responsible for capturing the electric genius of one of rock and roll's greatest.

If BØRNS has done his job right, what you see at one of his shows will inspire you to "have a party and get weird." And really, what more could we ask for from someone who uses his stratospheric voice to rip through off-kilter electro-pop?

I moved from my hometown of Toronto, Canada to Philadelphia to work at WXPN's World Cafe in October 2016. Remember October 2016? The election cycle had reached fever pitch,so there was a lot of political coverage to keep up with and make sense of. At the time, the NPR Politics Podcast was releasing daily dispatches that became part of my essential audio diet.

Jorge Drexler's charming and poetic album, Salvavidas de Hielo, includes a lullaby for silence, an anthem of empathy for migrants and as much texture as you can imagine pulled out of an acoustic guitar.

It takes a long time to fly from Australia to the U.S. Depending on how many stops you have and what your final destination is, you're probably looking at 24 hours plus. And similarly, it can take a long time for Australia's finest musicians to fly across the airwaves in the U.S.

Ever since he released his 2009 solo debut Pink Strat, I've always thought of Afie Jurvanen, better known as Bahamas, as a captain of cool breeze sound — easy, inviting and a little sideways. But this time around, Bahamas recruited the rhythm section featured on the album Black Messiah by D'Angelo and the results on his latest album, Earthtones, rest firmly in a funky pocket of groove.

I gotta say I had a bit of a hard time holding it together during this session. Sitting in a room two feet away from Glen Hansard as he plays an acoustic guitar is transcendent. When we were talking, he was this warm, gregarious storyteller, but as soon as he started to sing, Glen summoned so much force and conviction and blood, that I forgot there was anything else in the entire world. And you'll hear that in my reactions.

There is a lot that's disarming about Sunny War. She has that kind of raw, rare talent of a guitarist that stops you in your tracks.

Pages